Genre Criticism of Stanley Kubricks The Shining Essay examples -- Shin

Genre Criticism of Stanley Kubricks The light The true measure of success for all deal lies in its dexterity to establish a human kind with its audience. Perhaps more than in any other genre, the villainy film must be aware of this relationship and manage it care abundanty. After all, the purpose of a horror film is not necessarily to invoke thought, but rather to evoke an emotional reaction from its audience. Horror films of all types have designd f refineening images, disturbing characters, and excite sequences to inspire fear. Within the genre, tried and true methods have become staples in evoking this response from the viewer. From attendant fine-tuneers around the corner to monsters under the bed, the horror genre has employed these methods to guarantee a pall from its audience. The result is often a predictable film that only touches the come on of this relationship. Every once in a while, however, a film comes along that explores the possibilities and experiment s with the depth of this relationship. Such films are presented in ways to attach themselves intimate of the human psyche and remain there long after the film is over. Stanley Kubrick?s The Shining is one of these films. A true auteur, Kubrick steps into the horror genre and explores the potential of the power of a horror film. Through the use of imagery and sound, Kubrick creates a film that is beautiful, terrifying, and thought provoking. With its use of shot selection, motion, lighten and pace, The Shining defies the conventions of the horror genre to create a remarkable and charm film experience. At its core, The Shining is a narrative about a haunted house. Jack, played by Jack Nicholson, is a man who takes on a job as an off-season caretaker at a huge, isolated revivify with a haunting past and brings his wife, Wendy, and son, Danny, along to spend a wintertime alone at the Overlook Hotel. As a struggling writer, he sees the job as an opportunity to work on his writing i n a peaceful, serene setting. The supernatural powers of the house and the effects of isolation set forth to wield their power over Jack and turn him into a craze murderous lunatic. His descent into madness ultimately leads him in an attempt to kill his wife and son. The title of the film is derived from Danny?s ability to see into the time to come and communicate with the supernatural. This ?shining? serves as a conduit through... ...ycle through the hallways of the hotel. The photographic camera ?rides? right behind Danny, showing us everything that he sees on his tour. Again, the moving camera is used to establish a unique perspective. We get the feeling that Danny is atomic number 82 us into another frightening encounter with the hotel?s resident spirits. However, as we follow him on this ride, nothing happens. Every corner he turns serves as an opportunity for a shocking image or a busy scare, but Kubrick never gives us the expected payoff. In fact, Danny completes a full circle and ends up right where he began, safe and sound. This is one of umteen examples in which the film explores its relationship with the audience and uses its deliberate pace to increase its potential.Overall, Stanley Kubrick?s The Shining is both beautiful and terrorizing. In one-way or another, Kubrick manages to defy all of the conventions of the horror genre to deliver a unique and chilling film experience. Through the brilliant use of his camera and the deliberate accumulation of suspense, he creates a film that is very aware of its relationship to its audience and revels in its opportunity to explore the potential of that relationship.